Jean-Michel Collection
New York, New York
2020
Built from archival research into Jean-Michel Basquiat’s life, personal style, and artistic practice, Jean-Michel translates character research into collection development. Painter utility, casual silhouettes, tailored outerwear, and references to his band GRAY were explored through sketching and final fashion illustrations.
I. Abstract
This collection is inspired by and dedicated to Jean-Michel Basquiat, Haitian and Puerto Rican Neo-Expressionist artist, who reached the height of his career in the 1980’s, leaving a legacy of artistic impact and boundary breaking that has lasted to this day. Basquiat was born in Brooklyn, NY in 1960. He was engaged with and influenced by art at a young age, as his parents ensured that he has a membership at the Brooklyn Museum. This small seed would grow into his expression as a graffiti artist as he transitioned out of his family home at the age of 17, due to circumstances relating to his relationship with his parents, turning to a life of homelessness in Manhattan from there. He achieved fame initially as a member of the artist duo SAMO, who tagged Lower Manhattan with poignant graffiti messages, unlike any other style of graffiti at the time. As more of the New York community became aware of his work, he gained the support of individuals who funded his continued work and gave him a financial opportunity to create in the ways that we know him for today, painting, drawing, and expressing his culture, background, and experience through his art.
Jean-Michel’s style, from his early childhood, throughout his young adult life, was often very business-casual, containing a lot of blazers, collared shirts, polo collared shirts, and dress shirts. He also, on some occasions, dressed more casually, wearing t shirts and sweatshirts. This style was expressed in a variety of contexts, whether Basquiat was painting, relaxing, or out and about in New York City. The pieces I designed for Basquiat speak to his natural style, but also speak to his identity and career as a painter, through what I call “Painter’s Utility.” The first garment is a short sleeve cropped t-shirt, followed by two Painter’s utility vests. From there, via a more business casual aesthetic, I designed an innovative style of vest called the Duffle Vest, followed by a dress shirt, blazer, and two outer coats. I also included an ode to the band that he co-founded in the early stages of his career, called GRAY, inspired by Gray’s Anatomy.
Please enjoy your exploration of Jean-Michel (2020).
II. Mood Board
The collection mood board traces Jean-Michel Basquiat through his artwork, personal style, photography, collaborations, and the visual world surrounding his life in New York. Together, these references establish a vocabulary of crowns, handwriting, anatomy, portraiture, color, and gesture that grounds the collection in both the artist and the person.
III. Sketches and Ideation
Early sketches explore Basquiat’s wardrobe alongside the idea of “Painter’s Utility,” translating familiar workwear and tailored forms through pockets, straps, altered proportions, and functional details. The studies move between casual garments and outerwear as the collection begins to find its silhouette and character.
IV. Selected Flats
Selected flats refine the strongest ideas into clearer garment systems, including the shawl collar coat, Crown Crop Tee, and utility vest. Front and back views clarify proportion, construction, placement, and recurring details while preserving the visual references established during research and ideation.
V. Collection Presentation
The final presentation brings the research, mood, and garment development into a single visual language. The physical mood and fabric board sits alongside the completed collection, connecting Basquiat’s image, artistic vocabulary, personal style, and the collection’s interpretation of painterly utility.
Jean-Michel Collection
New York, New York
2020
Built from archival research into Jean-Michel Basquiat’s life, personal style, and artistic practice, Jean-Michel translates character research into collection development. Painter utility, casual silhouettes, tailored outerwear, and references to his band GRAY were explored through sketching and final fashion illustrations.